Comment Writer Rachel Joseph details the history of University House, University of Birmingham in celebration of International Women's Day

Anastasia Antoniou criticises Hinge's new supposedly 'ethical' update and its attempt to market itself as different from other dating apps

Fatima Madani reflects on her experience escaping the war in Sudan, demonstrating the challenges she and her family faced along the escape journey. This article contains sensative information on the topics of war, displacement and violence.

Asha Rajoriya investigates TikTok's Microtrends as the inspiration for the overconsumption epidemic taking over Gen Z and the planet

Comment Editor Emma Gilland evaluates the social and sociological climate surrounding the falling fertility rate in the younger generations

Comment Editor Lauren Henry discusses how artificial intelligence and its advancements pose a threat to many working artists and the creative industry as a whole

Uriah Shloim critiques this years winners, and delves into how the 2025 focus has shifted to gossip from talent appreciation

Jen Sawitzki mourns the loss of MUJI Birmingham, and considers how its legacy has made her more aware of her behaviours as a consumer

Comment writer Archie Marks analyses Netflix’s controversial casting of a cis actor in the role of a trans woman, finding the debate to be more complex than it appears

Jennifer Brooks assesses the validity of claims that Gen Z are gravitating towards authoritarian politics

Culture Writer Harshi Modi reviews Sir David Bintley’s Cinderella, a dazzling ballet brought to life by stunning choreography, exquisite costumes, and Prokofiev’s enchanting score, making for a truly magical evening at the Birmingham Hippodrome

Comment Writer Archie Marks analyses why we only hold certain celebrities accountable for nepotism, and whether the whole 'nepo baby' critique is futile in itself