British creature-feature Little Joe leaves Film Critic Charlotte Edgington feeling a little cold, though impressed by its handling of workplace sexism

Film Editor Matt Taylor spills the beans on Robert Eggers' haunting new picture, The Lighthouse

Music Editor Dylan Lucas is astounded by the visuals of Richard Stanley's Color Out of Space, but finds the tone of the Lovecraft adaptation rather muddled

Film Critic Rhys Lloyd-Jones is left utterly bewildered by Dolittle, a lazy and nonsensical attempt at a feature film

Film Critic Antonio Miguel Aguila is disappointed by video game adaptation Sonic the Hedgehog

As To All the Boys: P.S. I Still Love You hits the streaming service, Film Critic Aimee Calvert is falling out of love with this Netflix rom-com franchise

Anya Taylor-Joy shines in this colourful adaptation of Austen's most comical novel, says Film Editor Amy O'Neill

TV Critic Saskia Davis argues that The Stranger is not worth obsessing over

TV Critic Ella McFarlane argues that this reboot fails to present a varied portrayal of the LGBTQ+ community

With diminishing audience figures and an increasing lack of diversity, Film Critic Jade Matlock asks whether the Oscars are still fit for purpose

Soft White Underbelly is an intimate, innovative web series, argues TV Critic Sofina Younis

Film Critic Rhys Lloyd-Jones is overjoyed with The Personal History of David Copperfield, a marked step away from director Armando Ianucci's usual fare