Sam Smith's latest album is a collection of raw and emotional songs which make for a good listen but are nothing new for the singer Music Critic Aimee Sargeant argues

Sufjan Steven's newest album, a huge 80 minute record, demonstrates the songwriter's intricate instrumental skills leading to an enjoyable and pleasing listen argues Music Critic Ben Forsdick

Music Critic Samuel Fisher reviews mini-album, Always In My Head by APRE, describing it as the record that will carry you through lockdown and the winter ahead

Music critic, Minnie Life, delves into the quirky, indie-pop group's latest release following their breakout debut

Stepping out from success on The Voice US, Melanie Martinez's newest Alt-Pop EP, After School, is a phenomenally raw and powerful insight into the artist, argues Music Critic Tamzin Meyer

Music Critic, Benjamin Forsdick, reviews comedian and artist, Open Mike Eagle's latest project, a raw examination of a bleak year coupled with humorous tones

Music Critic Sarah Mawson describes the new EP from Tomberlin, Projections, as a brilliant sophomore release that strongly explores themes of nostalgia and yearning

Music Critic Raphael Kalid reviews the new album from Dorian Electra, My Agenda, describing it as experimental but with an endearingly inclusive message

Music Critic, Sammy Andrews, reviews Joesef's soulful EP. Sprinkled with moments of melancholy and amidst upbeat pop, the Glaswegian's Jazz-styled record makes for a charming set of songs

Clashing 80s pop sounds with high energy, androgynous glam rock, Music Critic Emma Gardner, declares Walt Disco's latest EP a powerful experience for the masses

Future Islands' latest record is a one-dimensional album which fails to build on any of their earlier works and leaves the listener disappointed Music Critic Ben Forsdick argues

Music Critic Aimée Sargeant reviews the debut EP from Rosie Shaw, Sometime Soon, describing it as a captivating listen that is more than just a debut