Fontaines D.C.'s sophomore album A Hero’s Death should ultimately be viewed as a successful, if slightly patchy, portrait of a band refusing to stay rooted to a singular musical landscape, Music Critic Cameron Milner reviews

Music Critic Sammy Andrews argues that Taylor Swift's unexpected new album shows an artist unafraid to experiment and look inward to create some of her best work

Unproblematic, simple, and dreamily soothing, HONNE's new album is definitely worth a listen, Food and Drink Editor Izzy Frost reviews

Music Critic Anya Logue reviews Oh Wonder's lockdown project, Home Tapes, writing that it advocates for hopefulness in an otherwise uncertain time

Whilst their new album lacks the punch of their debut, Dream Wife have shown that they're a force to be reckoned with within a male-dominated industry, Faith Parker writes

Women In Music Pt.III is HAIM's best album to date, coherently bringing together a number of different musical influences, Samantha Andrews writes

Phoebe Bridgers' sophomore album Punisher is a haunted exploration of her past with moments of power, tenderness and humour writes Hannah Massey

In possibly their best work to date, Run The Jewels' fourth LP is a powerful reflection on turbulent times, full of heavyweight features and deep cuts writes Cameron Milner

Fiona Apple brings a raw, layered album in Fetch the Bolt Cutters, a record made more for herself than ther listeners, Music Critic Sarah Mawson writes

Music Critic Robbie Hawken states that whilst Making a Door Less Open is not a perfect album, it must be listened to, and works as a how-to guide on experimenting with a band's sound without losing their original identity

how i'm feeling now is an unexpected follow up to Charli XCX's previous album, but is a welcome one nonetheless, encapsulating a feeling that everyone's going through during lockdown

As the only Pink Floyd album to receive a 10/10 score from Pitchfork, Music Critic James West considers the ways in which it deserves its perfect rating