Glass Animals' latest album Dreamland is a welcome insight into lead singer, Dave Bayley's whimsical world, Music Critic Minnie Life reviews

Troye Sivan's In A Dream marks a significant step into the world of alt-pop for the young star as Music Critic, Minnie Life takes a look at the EP and finds it an intimate companion for the pandemic

Limbo is the project that proves Aminé as an artist and will keep him around for years to come, Music Critic Sarah Mawson reviews

Music Critic Benjamin Forsdick reviews The Microphones' newest release, a 44 minute composition, which despite appealing largely to existing fans is a fantastic piece of creative work

For a debut, Midnight Fuckboys have stormed out the gate and swung for the fences with goon-fuelled voltage that marks them as talent to watch, Film Editor Rhys Lloyd-Jones writes

Music Editor Gemma Elgar believes I Can Feel You Forgetting Me to be the strongest Neon Trees album to date, dealing with themes of love and loss through the emotional aftermath of such events

Fontaines D.C.'s sophomore album A Hero’s Death should ultimately be viewed as a successful, if slightly patchy, portrait of a band refusing to stay rooted to a singular musical landscape, Music Critic Cameron Milner reviews

Music Critic Sammy Andrews argues that Taylor Swift's unexpected new album shows an artist unafraid to experiment and look inward to create some of her best work

Unproblematic, simple, and dreamily soothing, HONNE's new album is definitely worth a listen, Food and Drink Editor Izzy Frost reviews

Music Critic Anya Logue reviews Oh Wonder's lockdown project, Home Tapes, writing that it advocates for hopefulness in an otherwise uncertain time

Whilst their new album lacks the punch of their debut, Dream Wife have shown that they're a force to be reckoned with within a male-dominated industry, Faith Parker writes

Women In Music Pt.III is HAIM's best album to date, coherently bringing together a number of different musical influences, Samantha Andrews writes