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    ‘Disgustingly Educated’: A Trend Promising Growth or Just Another Marketing Ploy?

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  • Review: Grease

    Culture Editor Luca Demetriou reviews Grease, returning to its roots as the gritty musical surrounding working-class characters who are rooted in their social lives

  • Review: RA Summer Exhibition

    Comment Editor Abby Spreadborough, reviews the Royal Academy's Summer Exhibition, the world's oldest open submission exhibition

  • Review: A Little Night Music

    Culture Editor Emily Breeds reviews the University's Music Society's production of A Little Night Music, a spectacular Scandinavian musical

  • Barber Lates – Nocturnes: A Night at the Paper Museum

    Culture Editors Luca Demetriou and Emily Breeds visit the Barber Institute for a fun and interactive experience with the most recent Barber Lates event

  • Preview: Six

    Life&Style Editor Ellie Silcock previews the hit musical Six, coming to Birmingham in July 2020

  • Review: Elmhurst Ballet School Showcase – Awakenings

    Culture Critic Olivia Boyce reviews the wonderful showcase by Elmhurst Ballet School, featuring electrifying and talented performances of ballet, contemporary, jazz, character and flamenco dance

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    Culture Editor Emily Breeds visits the Wolverhampton Grand and enjoys a ‘compelling’ production of Willy Russell’s play Educating Rita

  • Review: Pete McKee’s Pop-Up Gallery at The Custard Factory

    Life&Style Editor Frankie Rhodes takes a look around cartoonist Pete McKee's pop-up gallery in The Custard Factory, Digbeth

  • Review: Joseph and the Amazing Technicolor Dreamcoat

    Culture Editor Emily Breeds reviews an outstanding production of Joseph and the Amazing Technicolor Dreamcoat at the Birmingham Hippodrome

  • The World of Harlequin with Soleri and Boso

    Culture Critic Grace Baxendine reviews an evening of performance by Italian actors of Commedia dell'Arte in Padova, Italy, reviving the Renaissance form

  • Review: Matthew Bourne’s Romeo and Juliet

    Culture Critic Luca Demetriou reviews Matthew Bourne's youthful production of Romeo and Juliet, whose cast is picked in each performance location

  • Barber Lates – Nocturnes: A Woman Refigured

    Frankie Rhodes reviews a creative evening at Barber Lates event Nocturnes: A Woman Refigured

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