Music Critic Ben Forsdick reviews Komfort Food, a tribute album to late rapper J Dilla, which is an enjoyable and creative record

Music Critic Jemma Cuthbert reviews Jeremy Zucker and Chelsea Cutler's latest release which combines a lo-fi soundscape with emotionally vulnerable lyrics

Whilst it may have a few lulls in energy, DMA'S new live album, Live at Brixton, is a successful and welcome reminder of live music, Music Critic Sammy Andrews writes

Music Critic Aimee Sargeant runs down the smash-hit compilation from The Weeknd following their icon affirming Super Bowl half-time performance

Music Critic Cameron Milner is disappointed by Foo Fighters' 10th LP, Medicine at Midnight, describing it as frequently average and rarely excellent

Music Critic Ben Forsdick is pleasantly surprised by the new album from Weezer, OK Human, describing it as a breath of fresh air

Music Critic Ben Forsdick reviews the collaboration between rapper Pharoahe Monch and band Th1rt3en which despite being a good concept, fails to live up to expectations

A new album and new chapter, Music Critic Saskia Hirst assesses the pros and cons of Taylor Swift’s ‘dropped your hand while dancing’ EP, evaluating that it rubs lockdown’s ruined romances the right way

Music Critic Ellie Harris reviews Youtuber James Marriott's successful debut EP which showcases his appealing indie pop-rock style

Music Critic Marianne Moore reviews Shame's sophomore release Drunk Tank Pink, praising the lengths the quintent have gone to to neatly bring the album together

In her debut EP, UoB student Alexandra Rose shows off her skills in recreating the genres of the 1960s

Music Critic Aimee Sargeant describes Pale Waves' new album Who Am I? as the perfect second release which invites listeners into the band's new era