Music Critic Cameron Milner is disappointed by Foo Fighters' 10th LP, Medicine at Midnight, describing it as frequently average and rarely excellent

Music Critic Ben Forsdick is pleasantly surprised by the new album from Weezer, OK Human, describing it as a breath of fresh air

Music Critic Ben Forsdick reviews the collaboration between rapper Pharoahe Monch and band Th1rt3en which despite being a good concept, fails to live up to expectations

A new album and new chapter, Music Critic Saskia Hirst assesses the pros and cons of Taylor Swift’s ‘dropped your hand while dancing’ EP, evaluating that it rubs lockdown’s ruined romances the right way

Music Critic Ellie Harris reviews Youtuber James Marriott's successful debut EP which showcases his appealing indie pop-rock style

Music Critic Marianne Moore reviews Shame's sophomore release Drunk Tank Pink, praising the lengths the quintent have gone to to neatly bring the album together

In her debut EP, UoB student Alexandra Rose shows off her skills in recreating the genres of the 1960s

Music Critic Aimee Sargeant describes Pale Waves' new album Who Am I? as the perfect second release which invites listeners into the band's new era

Isles makes for a bliss and balanced record which transports you back to life before lockdown, Music Critic Raphael Kalid writes

Adrenaline, the new EP from You Me At Six, is a mixed bag of highs and lows with a clear peak, Samantha Andrews reviews

Music Critic, Emma Gardner gives her thoughts on Sir Paul's third eponymous album in the experimental, yet interesting trilogy

Taylor Swift's surprise second album of 2020 is an emotional journey and the perfect foil to its sister album folklore, Music Critic Sammy Andrews writes