‘Love Story (Taylor’s Version)’ is an appreciation and reminiscence of the past whilst allowing the possibility for growth, Music Critic Ffion Haf reviews

Music Critic Cameron Milner reviews the very successful Saatchi Gallery Livestream from Bicep and implores any future live event from the duo should not be missed

Music Critic Sarah Mawson reviews the new album from Hayley Williams describing it as a perfect escape from the trials and tribulations of life right now

Music Critic, Sharlz Peters, runs down an fun, eclectic, and charming selection of tracks from their life

Music Critic Bethany Carter goes through her top 5 TV music performances ranging from The Smiths to Fontaines D.C

Music Critic Minnie Life describes the remix of Rebecca Black's 'Friday' as a hyperpop reimagining that signals an exciting new direction for the artist

Music Critic Ben Forsdick reviews Komfort Food, a tribute album to late rapper J Dilla, which is an enjoyable and creative record

Music Critic Jemma Cuthbert reviews Jeremy Zucker and Chelsea Cutler's latest release which combines a lo-fi soundscape with emotionally vulnerable lyrics

Travel Editor Catrin Jackson reviews the Cassia single Don't Make a Scene, stating that it is just the kind of summer anthem she was hoping for

Whilst it may have a few lulls in energy, DMA'S new live album, Live at Brixton, is a successful and welcome reminder of live music, Music Critic Sammy Andrews writes

Music Critic Aimee Sargeant discusses five songs that have had an influence on her and have become a soundtrack to her life

Fed up of love songs? Music Critic Sarah Mawson makes the case for anti-love songs, the songs which detail the different stages of heartbreak and heartache, arguably in a more artistic way than their counterparts