Music Critic Saskia Hirst examines the debate over the morality of musicians and gives her take on the impacts of cancel culture

Music Critic Aimee Sargeant talks us through five study playlists that will provide the perfect background to any study session

In her debut EP, UoB student Alexandra Rose shows off her skills in recreating the genres of the 1960s

Music Critic Aimee Sargeant describes Pale Waves' new album Who Am I? as the perfect second release which invites listeners into the band's new era

Isles makes for a bliss and balanced record which transports you back to life before lockdown, Music Critic Raphael Kalid writes

Music Critic Emma Gardner takes us through the bands she anticipates will have an amazing 2021

Music Critic Aimee Sargeant catches up with The Howlers to chat about chosen families, Californian influences and the importance of being authentic

'Chemtrails Over The Country Club' is one of the strongest singles Lana Del Rey has released in a few years, Music Critic Aimee Sargeant reviews

Music Critic Georgia Husselbee describes Hunter Hayes' latest release, 'The One That Got Away,' as a brilliant lead single with a special meaning

2020 was a difficult year but in this new feature we celebrate the music that helped us get through, next up is Music Critic Lauren Ramsden

Deputy Editor Daisy Kirkaldy was very pleased to be reminded of what it is like to be in a club environment by Pete Tong's 'O Come All Ye Ravers' livestream

Music Critic Saskia Hirst considers the image of the 'female psycho' in Taylor Swift's latest sister albums, folklore and evermore, and its reflections on modern misogyny