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    I Kissed A… Nobody? The Cancellation of ‘I Kissed a Boy/Girl’ and the Current Climate for Queer People

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  • Redbrick Meets: DMA’s

    Redbrick Music's Emma Gardner sat down with guitarist Johnny Took, who is currently in lockdown in Melbourne, to discuss the band’s new live album, a Britpop super tour and his ambitions to collaborate with Joni Mitchell

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    Music Critic Lizzie Faircliff reviews Years & Years powerful and emotional new single 'It's A Sin', a cover of the Pet Shop Boys hit released alongside the new series

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    From Reggae legends to Japanese video game soundtracks, Music Critic Sharlz Peters gives an eclectic rundown of tracks which got them through the year

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    Redbrick Music writers come together to compile a collection of their ultimate love and break-up songs in time for Valentine’s Day

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    Music Critic Saskia Hirst examines the debate over the morality of musicians and gives her take on the impacts of cancel culture

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    Music Critic Aimee Sargeant talks us through five study playlists that will provide the perfect background to any study session

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    In her debut EP, UoB student Alexandra Rose shows off her skills in recreating the genres of the 1960s

  • Album Review: Pale Waves – Who Am I?

    Music Critic Aimee Sargeant describes Pale Waves' new album Who Am I? as the perfect second release which invites listeners into the band's new era

  • Album Review: Bicep – Isles

    Isles makes for a bliss and balanced record which transports you back to life before lockdown, Music Critic Raphael Kalid writes

  • Bands to Watch Out For in 2021

    Music Critic Emma Gardner takes us through the bands she anticipates will have an amazing 2021

  • Redbrick Meets: The Howlers

    Music Critic Aimee Sargeant catches up with The Howlers to chat about chosen families, Californian influences and the importance of being authentic

  • Single Review: Lana Del Rey – Chemtrails Over The Country Club

    'Chemtrails Over The Country Club' is one of the strongest singles Lana Del Rey has released in a few years, Music Critic Aimee Sargeant reviews

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