Music Critic Minnie Life reviews 'Fever,' the new single from Dua Lipa & Angèle, describing it as a track that will get people onto the dance floor

Print Editor Alex Boscott describes Aries' 'Fool's Gold' as catchy, relatable and enjoyable whilst predicting a bright future for the singer

POST HUMAN: SURVIVAL HORROR seems to stick to Bring Me The Horizon’s roots as a band, whilst branching out into some more experimental forms at times, Music Critic Ellie Harris reviews

The Toronto pop-punk band's follow up EP builds upon previous work, inserting cathartic, pandemic pessimism, Music Critic Sarah Mawson writes

Music Critic Emma Gardner shares her anticipation for the Brighton rock outfit's upcoming album, reviewing their fuzz-tastic and devilish new single

Although inferior to his previous albums, Mouth Dreams by Neil Cicierega creates new experiences out of the familiar, Film Editor Samuel Zucca reviews

Elvis Costello's new album is a scatter gun of styles united by the central theme of the movement of time in contrast to the timeless nature of Costello's music Music Editor Robbie Hawken writes

Music Critic Sammy Andrews investigates how we currently value music, looking into the Keep Music Alive campaign and the challenging issue of streaming royalties

Dark, brutal and terrifying in equal measure, Music Critic Ben Forsdick reviews experimental hip hop trio's killer return to horrorcore

Paloma Faith's single 'Gold' is a energetic celebration of life that emphasises positivity and community Music Critic Lizzie Faircliff writes

Music Critic Emily Wallace reviews Ashton Irwin's first solo album which is a deeply personal record that features an uplifting message of hope to comfort listeners

Sam Smith's latest album is a collection of raw and emotional songs which make for a good listen but are nothing new for the singer Music Critic Aimee Sargeant argues