Music Critic Bethany Carter introduces rising Indie-Rock star Nile Marr and considers what could be next for the talented artist

In possibly their best work to date, Run The Jewels' fourth LP is a powerful reflection on turbulent times, full of heavyweight features and deep cuts writes Cameron Milner

Joy Division performed their final ever concert in our own Birmingham University, Deputy Digital Editor Dylan Lucas takes a look at the famed EP recordings

Fiona Apple brings a raw, layered album in Fetch the Bolt Cutters, a record made more for herself than ther listeners, Music Critic Sarah Mawson writes

Celeste's heavenly new single 'I Can See The Change' is just what the world needs, Music Critic Sarah Mawson writes

While it may only be a year old, Nick Cave and the Bad Seeds' Ghosteen has cemented itself as one of the group's finest works, Music Writer Callum Costello reviews

Music Critic Ffion Haf explores some of the reasons for music videos following Tones and I's 'Dance Monkey' video reaching one billion views on YouTube

While the group have had otherworldly success and are considered one of the greatest bands of all time, Music Writer James West argues Pink Floyd's Richard Wright offered more to the iconic group than he is credited for

Remi Wolf is an artist deserving of all manners of fame, argues Deputy Digital Editor Holly Pittaway

Decades after its release, 'Love Will Tear Us Apart' still stands as the perfect swan song to Joy Division's hallowed career

I Know Alone is a track that deserves to immediately be recognised as one of HAIM's best tracks, Music Critic Cameron Milner writes

Deputy Digital Editor Holly Pittaway introduces us to the work of Still Woozy, an artist that she claims to be the most underrated of our time