Giant Rooks' first album, driven by its euphoric choruses and the bands unique sound, is a huge success and shows the best work of a refreshing young band who know what they do best but are unafraid to experiment Music Editor Robbie Hawken writes

A heavy, brooding, and terrifying album, Primitive Man have managed to progress their sound while remaining as brutal as any metal band in the business on their new album, Music Critic Benjamin Forsdick reviews

YUNGBLUD'S latest release Lemonade, a collaboration with Denzel Curry, sees the artist delve into hip-hop with mixed success, argues Music Critic Ellie Harris

Glass Animals' latest album Dreamland is a welcome insight into lead singer, Dave Bayley's whimsical world, Music Critic Minnie Life reviews

Troye Sivan's In A Dream marks a significant step into the world of alt-pop for the young star as Music Critic, Minnie Life takes a look at the EP and finds it an intimate companion for the pandemic

Limbo is the project that proves Aminé as an artist and will keep him around for years to come, Music Critic Sarah Mawson reviews

Music Critic Benjamin Forsdick reviews The Microphones' newest release, a 44 minute composition, which despite appealing largely to existing fans is a fantastic piece of creative work

Inarguably one of his greatest tracks to date, the new single from Troye Sivan is best described as sadness concealed within a pop track, Music Critic Ffion Haf reviews

Where Do They Go? Is a promising debut for Birmingham based songwriter and poet Jonah Corren, Seb Rolley reviews

Music Editor Robbie Hawken chats with The Big Moons’ Juliette Jackson about the struggles of lock down, responding to critics, their upcoming tour and more

For a debut, Midnight Fuckboys have stormed out the gate and swung for the fences with goon-fuelled voltage that marks them as talent to watch, Film Editor Rhys Lloyd-Jones writes

Music Writer Bethany Carter speaks to the Birmingham Music Label Die Das Der about their lockdown fundraiser, Without Music, We're Nothing