We ask the Redbrick Music critics for the best and worst covers of all time and receive some stunning entries and some which are truly painful to the ear

Following the success of 2015's The Pale Emperor, Music Critic Cameron Milner takes a look at Marilyn Manson's new gloom-filled record, straddling a line between tradition and innovation

Music Critic Holly Pittaway attends and reports on a Zoom-based Press Conference for Still Woozy's new single BS, another classically Woozy single

Halsey's live recording of debut album BADLANDS makes for a nice trip down memory lane, but perhaps does not stand apart as a piece in its own right, Music Critic Samantha Andrews writes

Music Critic Ellie Harris argues that transgender musicians do not receive the recognition they deserve and names her favourites who should receive far more

Declan McKenna's new album Zeros is a confident and mature elevation from his debut, speaking boldly to an entire cultural moment, Music Critic Sammy Andrews reviews

Protean Threat by Osees continues John Dwyer's trend of not sounding like other psych bands and Music Critic Seb Rolley thinks it might be one of the genre's best

Music Critic Benjamin Forsdick reviews IDLES' live stream concert, weighing up the pros and cons that ultimately make it a good next-best-thing, but ultimately no substitute for a live gig

Music Critic Ben Forsdick argues that Bright Eyes' newest album fails to live up to their previous works as the band dilute their unique sound and move away from what they do best

Describing her as one of the modern greats of UK Electronica, Deputy Digital Editor Dylan Lucas reviews the fantastic sophomore album from Kelly Lee Owens

Music Writer Sarah Mawson dives into the unique project that is Young Jesus' latest record, finding it to be just the right side of pretentious

Wistful and dreamy, folklore bonus track ‘the lakes’ is a poetic affirmation of love, Music Critic Sammy Andrews reviews