After the very sad passing of lead guitarist Eddie Van Halen, Music Editor Bethany-Jo O'Neill takes a look at what is widely regarded as the greatest guitar solo of all time, Van Halen's 'Eruption'

Bastille's latest track finds relevance with the experiences of the past year whilst successfully experimenting with new sounds Music Critic Kelsey Baxter-Sibley argues

Music Critic Bethany Carter takes a look at the reasons for the recent increase in vinyl sales and gives advice on how to start your own record collection

Following recent Bastille singles 'Survivin' and 'WHAT YOU GONNA DO???', Music Critic Sammy Andrews talks to drummer Chris Wood about their new music and the future of the music industry

Although somewhat repetitive, COIN have released potentially one of their most vulnerable songs with 'You Are the Traffic,' Music Critic Samantha Andrews writes

Music Critic Aimée Sargeant reviews the debut EP from Rosie Shaw, Sometime Soon, describing it as a captivating listen that is more than just a debut

Music Critic Sarah Mawson praises the quality of NPR's Tiny Desk Concerts and gives a run-down of their top 5 performances

Life & Style Editor Frankie Rhodes reviews the exciting new album from LANY, mama's boy, describing it as the perfect album for our current times to remind us to cherish what is important

Music Critic Ben Forsdick reviews Napalm Death's enjoyable new album arguing that the fathers of grindcore have not lost their touch, releasing a record which is sure to please fans

In advance of its 25th anniversary, Music Critic Ben Forsdick writes his praise of Liquid Swords, a standout '90s release from GZA

Following the backlash from the 2020 line-up, Music Critic Minnie Life shares her disappointment at the latest Reading and Leeds Festival announcement, arguing that marginalised voices need to be heard from the headline slots

Everything Everything's latest release is a combination of good ideas and intentions with mixed results which may fail to please many of their existing fans Music Critic Ben Forsdick argues