The new single from Pillow Queens is a promising addition to the Dublin band's discography, boding well for the album to come, Sarah Mawson writes

Unproblematic, simple, and dreamily soothing, HONNE's new album is definitely worth a listen, Food and Drink Editor Izzy Frost reviews

Music Critic Sammy Andrews picks out the highlights of the BBC's Best of Glastonbury broadcasts which encapsulate the spirit of the festival and build our appetites for its return

Music Editor David Evans chats to local venues about how they are managing during the lockdown and looks ahead to possible challenges down the line

Music Critic Anya Logue reviews Oh Wonder's lockdown project, Home Tapes, writing that it advocates for hopefulness in an otherwise uncertain time

Music Critic Sarah Mawson takes a look at Samia's most successful releases to date and anticipates big things to come from her debut album

Whilst their new album lacks the punch of their debut, Dream Wife have shown that they're a force to be reckoned with within a male-dominated industry, Faith Parker writes

Ellie Harris takes a look at Bring Me The Horizon's newest experimental offering and finds its dystopian message eerily fitting for our current moment

Ahead of their newest album, Digital Editor Rhiannon Wood caught up with guitarist Johnny Took to discuss the record, recording during a pandemic and the future direction for the band

Music Critic Cameron Milner talks to Bury Tomorrow bassist Davyd Winter-Bates ahead of their new album Cannibal available July 3rd

Women In Music Pt.III is HAIM's best album to date, coherently bringing together a number of different musical influences, Samantha Andrews writes

Music Critic Sammy Andrews argues that Taylor Swift's Red is an essential album which fits any mood