'Clementine,' alongside her other recent singles, foreshadows a promising next album from Halsey, Sammy Andrews writes

After a decade of music, Have A Nice Life remain compelling and true to form, despite in this case perhaps selling themselves short, Benjamin Monro writes

Niall Horan moves away from his One Direction Days and delves into the world of rock music, Emily Calder writes

Green Day's new single 'Fire, Ready, Aim' is the pop-punk angst that fans were lovingly expecting, Bethany-Jo O'Neill writes

Paul Woolford's Special Request project returns with new single Shepperton Moon Landing but sadly fails to stick the (moon) landing, writes Barney Murphy-King

Music Writer Thomas Armstrong is impressed with Shai Brides' playful and dystopian debut single, Joie de Vivre

Music Writer Catrin Jackson embraces sound change from Cigarettes After Sex ahead of their upcoming album

Television Editor Cat Osborne writes that the collaborative single 'Don't Call Me Angel' unfortunately falls completely flat of what could have been a masterpiece

Sam Zucca is impressed with Big Thief's latest single, claiming it to be a great link betweein their last album and the next

Redbrick's Food editor Gabrielle Taylor-Dowson is impressed by the use of synthesised vocals and motivational lyrics in Rex Orange County's '10/10'

Music Editor Daisy Kirkaldy is disappointed by Justin Bieber's seemingly unnecessary contribution to the new 'bad guy' remix

Catrin Jackson reviews Tame Impala's single 'Borderline', noticing parallels to his older music.