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Film Critic Ash Sutton finds the latest Marvel flick to be a surprisingly fun watch despite some inconsistencies
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Film Editor Tom Green examines the discourse surrounding Killers of the Flower Moon - the latest film from Martin Scorsese - and discusses what separates 'content' from 'cinema'
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Gaming Editor Louis Wright makes the case for a Buddhist reading of Pixar's classic 2009 film.
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Print & Features Editor Jess Parker finds The Nun II to be a superfluous yet super-enjoyable addition to the popular Conjuring franchise
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Film Critic Simone Salvatore marks the latest Scorsese film as one of his best thanks to stellar acting performances, despite its controversial run time
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Film Critic Joel Bishton revisits Edgar Wright's The World's End, praising the film's tightly plotted blend of comedy, drama and science fiction
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Redbrick's Film, Music, TV, and Gaming Editors come together with their picks for what to watch and play this October
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Film Editor James Richards praises the uneven ambition of Kenneth Branagh's genre-bending Poirot mystery A Haunting in Venice
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Film Writer Simone Salvatore reviews the 40th anniversary remaster of Stop Making Sense, finding it to be a joyous celebration of Talking Head's music.
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Redbrick Gaming and Film's Writers and Editors come together to discuss the 'best' and the worst of films adapted from or influenced by video games
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Film Writer Christopher Watts reviews The Creator, finding it a thought-provoking and visually stunning experience.
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Film critic Joel Bishton writes on Wes Anderson's new short story collection for Netflix, finding it unspectacular but enjoyable as an 'insubstantial treat'