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    ‘Disgustingly Educated’: A Trend Promising Growth or Just Another Marketing Ploy?

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  • Review: Miss Americana

    TV Critic Stephanie Hawkyard sings praises for this eye-opening documentary about pop star Taylor Swift

  • Review: Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn)

    As Birds of Prey flies into cinemas, Redbrick Film's Ellie Burridge is overjoyed, as Harley Quinn finally gets the big-screen treatment she deserves

  • Review: A Beautiful Day in the Neighbourhood

    Film Critic Sam Denyer is pleasantly surprised by the emotional intelligence of Marielle Heller's Mr Rogers biopic, A Beautiful Day in the Neighbourhood

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    Clint Eastwood's latest, Richard Jewell, leaves Film Critic Ellie Burridge conflicted over how well it handles the truth of its subject matter

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    Film Critic Emily Faithful is full of praise for Taiwanese family drama A Sun, the latest foreign film to be picked up by Netflix

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    Sex Education is aesthetically pleasing and perfectly awkward, argues TV Critic Sam Arrowsmith

  • Redbrick’s Picks: Valentine’s Movies 2020

    As the first Valentine's Day of the new decade approaches, Redbrick Editors and Critics showcase their picks for the best romance movies to watch this holiday

  • Red Carpet: Adam Sandler

    In light of his critically-lauded role in Uncut Gems, Food&Drink Editor Gabrielle Taylor-Dowson takes a look back at the highs and lows of Adam Sandler's decades-spanning career

  • Review: Parasite

    Film Critic Antonio Miguel Aguila is in awe of Parasite, Bong Joon-Ho's seventh feature film, which has catapulted him to fame, earning him four Academy Awards

  • Review: Meat the Family

    TV Critic Alice Wibberley argues that this TV experiment failed to meat its purposes

  • Review: Little Monsters

    Film Editor Matt Taylor digs into Little Monsters, the latest in a long line of zom-coms, and finds that it manages to be a cut above the rest

  • Review: The Rhythm Section

    Gaming Editor Alex Green finds a sprinkling of enjoyment in The Rhythm Section, but finds the thriller hampered by an off-beat plot and out-of-tune action

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