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  • Review: The Stranger

    TV Critic Saskia Davis argues that The Stranger is not worth obsessing over

  • Review: The L Word: Generation Q

    TV Critic Ella McFarlane argues that this reboot fails to present a varied portrayal of the LGBTQ+ community

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    With diminishing audience figures and an increasing lack of diversity, Film Critic Jade Matlock asks whether the Oscars are still fit for purpose

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    Soft White Underbelly is an intimate, innovative web series, argues TV Critic Sofina Younis

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    Film Critic Rhys Lloyd-Jones is overjoyed with The Personal History of David Copperfield, a marked step away from director Armando Ianucci's usual fare

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    TV Critic Stephanie Hawkyard sings praises for this eye-opening documentary about pop star Taylor Swift

  • Review: Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn)

    As Birds of Prey flies into cinemas, Redbrick Film's Ellie Burridge is overjoyed, as Harley Quinn finally gets the big-screen treatment she deserves

  • Review: A Beautiful Day in the Neighbourhood

    Film Critic Sam Denyer is pleasantly surprised by the emotional intelligence of Marielle Heller's Mr Rogers biopic, A Beautiful Day in the Neighbourhood

  • Review: Richard Jewell

    Clint Eastwood's latest, Richard Jewell, leaves Film Critic Ellie Burridge conflicted over how well it handles the truth of its subject matter

  • Review: A Sun

    Film Critic Emily Faithful is full of praise for Taiwanese family drama A Sun, the latest foreign film to be picked up by Netflix

  • Review: Sex Education – Season Two

    Sex Education is aesthetically pleasing and perfectly awkward, argues TV Critic Sam Arrowsmith

  • Redbrick’s Picks: Valentine’s Movies 2020

    As the first Valentine's Day of the new decade approaches, Redbrick Editors and Critics showcase their picks for the best romance movies to watch this holiday

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