TV Editor Cat Osborne urges you to watch this documentary and discover a new side of the V&A

Unclear plot-holes poke through an otherwise engaging and necessary thriller about US involvement in South American conflicts, writes Film Critic Caitlin Gittins

Film Editor Todd Waugh Ambridge is enamoured with Pixar's Onward, an enchanting tale of dealing with loss and grief

Redbrick Film's writers evaluate the last ten years of Pixar movies

Film Critic Ella McFarlane looks at depictions of the LGBTQ+ community in recent mainstream films, evaluating the successes in representation, and the areas in which there's still progress to be made

Misbehaviour succeeds in subverting the male gaze, but is a bloated protest drama, writes Film Critic Ellie Burridge

Takashi Miike's latest is yet another win for the cult Japanese director, says Gaming Editor Alex Green, as First Love crashes onto home video

Film Critic Ellie Burridge dredges Dark Waters, which sees Robert Bilott (Mark Ruffalo) take on a dark oil conglomerate

Film Editor Matt Taylor illuminates this reboot of the Universal Monsters 1933 classic The Invisible Man, starring Elisabeth Moss

Netflix’s recent contribution to the reality TV genre is just as fake as the others, argues Travel Editor Katie Norris

Film Critic Caitlin Gittins is impressed by the historical nuances of Cold War drama, yet is unconvinced by some of the writing and performances

Gaming Editor Alex Green takes a look at this fictionalisation of the story of the Kelly Gang, led by notorious Australian outlaw Ned Kelly