Film Editor Sam Denyer dives into Pixar's newest film, Soul, and is impressed by its ambition and emotional intelligence

Mank shines in David Fincher's extensive filmography, argues Film Writer Bethany Sherrott

Film Critic Samantha Hicks enjoys Yes, God, Yes' fresh take on the coming-of-age tale even if the plot leaves a little to be desired

Deputy Editor Daisy Kirkaldy is underwhelmed by this awkward Netflix Original, which never finds anything unique to do with its numerous tropes

Film Critic Maisie McCormick is pleasantly surprised by Rebecca, the Netflix adaption of the classic Gothic novel

Film Writer Annabel Smith finds the latest, festive Netflix hit to be slightly devoid of originality and excitement, despite some cheerful performances and fun musical numbers

Film Critic Maisie McCormick enjoys the easy-going fun of Netflix's The Princess Switch: Switched Again

Film Critic Annabel Smith stands in No Man's Land as she recounts the latest World War Two thriller from Netflix

Film Critic Samantha Hicks raves about the new queer Christmas romcom, Happiest Season

Film Critic Sam Wait enjoys the new entry in the Spongebob franchise, even if it doesn't compare to the original movie and classic series

Film Editor Sam Denyer praises the quiet power of Never Rarely Sometimes Always' depiction of the effort to seek reproductive healthcare in America

Film Editor Jade Matlock reflects on the latest psychological thriller from Netflix, sporting an all-star casting and promising to leave you with nightmares