On her surprise return to music Lauren Aquilina's EP Ghost World is a triumph and demonstrates the skill of an artist who had been sorely missed by fans

Belarusian outfit Molchat Doma, who have been compared to Joy Division and The Smiths, are back with a new record which largely lives up to expectations but falls short of something special Music Critic Benjamin Forsdick writes

Music Critic Deyna Grimshaw reviews the light and shade in We Need A Little Christmas, the new album from A capella group Pentatonix, explaining what sets it apart from other Christmas albums

Music Critic Megan Lee reviews WRONG GENERATION, Fever 333's powerful response to the Black Lives Matter movement

Music Critic Lorcan Drury explores how Kylie managed to put the ‘K’ in disko and a smile on every listener’s face

POST HUMAN: SURVIVAL HORROR seems to stick to Bring Me The Horizon’s roots as a band, whilst branching out into some more experimental forms at times, Music Critic Ellie Harris reviews

The Toronto pop-punk band's follow up EP builds upon previous work, inserting cathartic, pandemic pessimism, Music Critic Sarah Mawson writes

Although inferior to his previous albums, Mouth Dreams by Neil Cicierega creates new experiences out of the familiar, Film Editor Samuel Zucca reviews

Elvis Costello's new album is a scatter gun of styles united by the central theme of the movement of time in contrast to the timeless nature of Costello's music Music Editor Robbie Hawken writes

Dark, brutal and terrifying in equal measure, Music Critic Ben Forsdick reviews experimental hip hop trio's killer return to horrorcore

Music Critic Emily Wallace reviews Ashton Irwin's first solo album which is a deeply personal record that features an uplifting message of hope to comfort listeners

Sam Smith's latest album is a collection of raw and emotional songs which make for a good listen but are nothing new for the singer Music Critic Aimee Sargeant argues