Music Critic Lorcan Drury explores how Kylie managed to put the ‘K’ in disko and a smile on every listener’s face

POST HUMAN: SURVIVAL HORROR seems to stick to Bring Me The Horizon’s roots as a band, whilst branching out into some more experimental forms at times, Music Critic Ellie Harris reviews

The Toronto pop-punk band's follow up EP builds upon previous work, inserting cathartic, pandemic pessimism, Music Critic Sarah Mawson writes

Although inferior to his previous albums, Mouth Dreams by Neil Cicierega creates new experiences out of the familiar, Film Editor Samuel Zucca reviews

Elvis Costello's new album is a scatter gun of styles united by the central theme of the movement of time in contrast to the timeless nature of Costello's music Music Editor Robbie Hawken writes

Dark, brutal and terrifying in equal measure, Music Critic Ben Forsdick reviews experimental hip hop trio's killer return to horrorcore

Music Critic Emily Wallace reviews Ashton Irwin's first solo album which is a deeply personal record that features an uplifting message of hope to comfort listeners

Sam Smith's latest album is a collection of raw and emotional songs which make for a good listen but are nothing new for the singer Music Critic Aimee Sargeant argues

Sufjan Steven's newest album, a huge 80 minute record, demonstrates the songwriter's intricate instrumental skills leading to an enjoyable and pleasing listen argues Music Critic Ben Forsdick

Music Critic Samuel Fisher reviews mini-album, Always In My Head by APRE, describing it as the record that will carry you through lockdown and the winter ahead

Music critic, Minnie Life, delves into the quirky, indie-pop group's latest release following their breakout debut

Stepping out from success on The Voice US, Melanie Martinez's newest Alt-Pop EP, After School, is a phenomenally raw and powerful insight into the artist, argues Music Critic Tamzin Meyer