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    ‘Disgustingly Educated’: A Trend Promising Growth or Just Another Marketing Ploy?

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  • Album Review: Sprain – The Lamb as Effigy

    Music editor Devin Birse reviews experimental rock act Sprain's new album, finding it to be a masterwork of sonic destruction.

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    Album Review: Hozier – Unreal Unearth

    Music Editor Oliver Scoggins reviews Hozier's third album Unreal Unearth, finding it a mostly successful exploration of new styles for the artist.

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    Music Critic Samuel Hastings reviews the latest album from Jessie Ware, praising her ability to combine polished disco and modern dance music for a wide audience

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    Music Critic Eve Wisniewski reviews Hozier's latest EP, Eat Your Young, praising it's fresh and varied sound

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    Music Critic Sammy Andrews reviews Fall Out Boy’s new album, So Much (For) Stardust, highlighting its variety of coexisting elements and the return of the band’s classic sound

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    Music Critic Devin Birse reviews Model/Actriz's debut album Dogsbody, which has a tender heart amidst the noisiness.

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    Music Critic Sammy Andrews reviews Paramore’s first album in 5 years and praises it for being a perfect innovative comeback album

  • Album Review: Samia – Honey

    Music Critic Isabelle Porter reviews Samia's latest album Honey, describing it as 'an anecdotal journey teeming with visceral reflections and catchy melodies'

  • Album Review: Queen – The Miracle (Deluxe Collector’s Edition)

    Music Critic Abi Kinsella explores the new alternate takes on the deluxe collector’s edition of Queen’s 13th album, The Miracle

  • Album Review: Louis Tomlinson – Faith in the Future

    Music Critic Catalina Perez reviews Louis Tomlinson's latest album, describing it as enjoyable yet limited and lacking in innovation

  • Album Review: First Aid Kit – Palomino

    Music Critic Georgia Brooks reviews First Aid Kit's latest album, praising its range of influences, energy and consistency

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