Whilst their new album lacks the punch of their debut, Dream Wife have shown that they're a force to be reckoned with within a male-dominated industry, Faith Parker writes

Ellie Harris takes a look at Bring Me The Horizon's newest experimental offering and finds its dystopian message eerily fitting for our current moment

Ahead of their newest album, Digital Editor Rhiannon Wood caught up with guitarist Johnny Took to discuss the record, recording during a pandemic and the future direction for the band

Music Critic Cameron Milner talks to Bury Tomorrow bassist Davyd Winter-Bates ahead of their new album Cannibal available July 3rd

Women In Music Pt.III is HAIM's best album to date, coherently bringing together a number of different musical influences, Samantha Andrews writes

Music Critic Sammy Andrews argues that Taylor Swift's Red is an essential album which fits any mood

In the David vs Goliath chart battle of our time, Katie Norris documents the hard-fought, impressive but ultimately hilarious campaign by the indie underdogs for the top spot

Music Critic Bethany Carter reviews the Salford Music Festival and is delighted by how the festival adapts to its new online format

Music Critic Katie Norris discusses how musicians have been adjusting their careers to lockdown, with focus on The Aces and their new music video for 'My Phone is Trying to Kill Me'

Music Critic Cameron Milner introduces us to the discography of Sports Team amidst their competitive fight for a number one album

Music Editor Robbie Hawken tracks the history of the Rock Against Racism movement which resonates strongly in the current climate

Phoebe Bridgers' sophomore album Punisher is a haunted exploration of her past with moments of power, tenderness and humour writes Hannah Massey