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  • The TV Shows That Get LGBTQ+ Representation Right

    This LGBT History Month, our writers share the television shows that have made headway for queer representation on screen

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    TV Critic Lauren Ramsden is exasperated at how the 2021 Golden Globes nominations ignore the talent of young TV writers and actors, such as Michaela Coel

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    TV Critic Bethany Sherrott praises Russell T Davies' new Channel 4 drama for its memorable characters and poignant balance of joy and grief as it humanises the 1980s AIDS epidemic

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    TV Critic Josie Scott-Taylor reviews the latest season of Riverdale, the teen drama famous for its binge-worthiness and outlandish plot lines, and concludes that it does not disappoint

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    TV Critic Jasmine Sandhar explains why you should be watching BoJack Horseman this lockdown, on account of the important philosophical questions it raises

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    TV Writer Samantha Hicks reviews the latest instalment of the animated fantasy series, praising its beautiful artwork and exciting worldbuilding

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    After news that a Harry Potter TV series is in the early stages of development, TV critic Emily Wallace questions whether this is a good idea given Rowling's transphobic views

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    TV Writer Georgia Husselbee reviews the Netflix dance drama, arguing that while its compelling mystery keeps you watching, some elements miss the mark

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    TV Critic Anisha Mansuri fondly remembers the good-old-days when Pretty Little Liars, a favourite teenage drama and murder mystery, graced our screens

  • It’s A Sin and the Legacy of HIV

    For LGBT History Month, TV Writer Emily Baldwin delves into the representation of HIV and AIDS in the new drama It's a Sin, noting how treatment of the virus has changed today

  • Authenticity in Casting: Can Straight Actors Play Gay Characters?

    TV Writer Anya Logue scrutinises Russell T Davies view that only gay actors should play gay characters, claiming it could be counterproductive and serve to reduce actors to their sexualities

  • Bridgerton: Colour-Blind Casting is Here to Stay, But Is It Progressive or Performative?

    TV Critic Erin Osgood discusses the practice of colour-blind casting in Bridgerton and the musical Hamilton, asking just how historically accurate we want our period dramas to be

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