Film Editor Alice Weltermann looks back on Gilmore Girls from its cosy and idealised American small-town atmosphere, to the underlying paradoxes of its postfeminist perspective

Despite its criticisms, TV Critic Rani Jadfa endorses Marvel's TV efforts for its diversity and ability to bring viewers together

TV Writer Joel Bishton explores the legacy of Doctor Who, describing how its successful genre-switching as well as innovative ideas have led to its mass appeal and status as a staple of British television

TV editor Tom Stone unearths an old internet horror web series, Marble Hornets, and points to its unique combination of context and presentation in creating an immersive horror experience

TV Editor Kylie Clarke explains why Chloe from My Mad Fat Diary is one of her favourite characters of all time, praising Jodie Comer's multidimensional performance

TV critic Zenna Hussain reviews Netflix's Bridgerton spin-off, praising its romantic feel but raises concerns over its depiction of race and marital relationships

Film Editor Emily Wallace praises Amazon Prime's adaptation of the hugely popular novel Daisy Jones & The Six, citing it as having done justice to its source material

TV Editor Erin Perry reflects on the final season of Happy Valley

Comment Editor Gwydion Elliott explains how Andor has breathed new life into Star Wars with its immersive storylines and interesting characters

TV writer Ilina Jha reviews the Channel 4 show noting that, while it contains all the best elements of a typical TV sitcom, it would be better enjoyed when viewed as a comedy-drama

TV writer Ilina Jha reflects on Series Three of the lockdown comedy noting that, while it remains very entertaining, Staged has run its course

TV Editor Erin Perry reviews the second season of Netflix's murder mystery, praising the slick development of the plot and the characters