Gaming Editor Louis Wright makes the case for a Buddhist reading of Pixar's classic 2009 film.

Film Editor Alice Weltermann looks back on Gilmore Girls from its cosy and idealised American small-town atmosphere, to the underlying paradoxes of its postfeminist perspective

Film Critic Joel Bishton revisits Edgar Wright's The World's End, praising the film's tightly plotted blend of comedy, drama and science fiction

Redbrick Gaming and Film's Writers and Editors come together to discuss the 'best' and the worst of films adapted from or influenced by video games

Despite its criticisms, TV Critic Rani Jadfa endorses Marvel's TV efforts for its diversity and ability to bring viewers together

TV Writer Joel Bishton explores the legacy of Doctor Who, describing how its successful genre-switching as well as innovative ideas have led to its mass appeal and status as a staple of British television

Digital Editor Halima Ahad revisits Mamma Mia!, deciding that it is the perfect summer watch

Gaming Editor Louis Wright revisits and explores the merit of Pixar's Toy Story 4, four years on from its release.

Gaming Editor Louis Wright breaks down the fascinating ways in which film, filmmakers and philosophy intersect

Film Editor James Richards revisits Douglas Hickox's Theatre of Blood, finding it to be just as camp and vivacious as it was upon release in 1973

TV editor Tom Stone unearths an old internet horror web series, Marble Hornets, and points to its unique combination of context and presentation in creating an immersive horror experience

TV Editor Kylie Clarke explains why Chloe from My Mad Fat Diary is one of her favourite characters of all time, praising Jodie Comer's multidimensional performance