Music Critic Benjamin Forsdick reviews The Microphones' newest release, a 44 minute composition, which despite appealing largely to existing fans is a fantastic piece of creative work

Inarguably one of his greatest tracks to date, the new single from Troye Sivan is best described as sadness concealed within a pop track, Music Critic Ffion Haf reviews

Where Do They Go? Is a promising debut for Birmingham based songwriter and poet Jonah Corren, Seb Rolley reviews

Music Editor Robbie Hawken chats with The Big Moons’ Juliette Jackson about the struggles of lock down, responding to critics, their upcoming tour and more

For a debut, Midnight Fuckboys have stormed out the gate and swung for the fences with goon-fuelled voltage that marks them as talent to watch, Film Editor Rhys Lloyd-Jones writes

Music Writer Bethany Carter speaks to the Birmingham Music Label Die Das Der about their lockdown fundraiser, Without Music, We're Nothing

Music Editor Gemma Elgar believes I Can Feel You Forgetting Me to be the strongest Neon Trees album to date, dealing with themes of love and loss through the emotional aftermath of such events

After a long run of musical success, the new single from Corey Taylor seems to be an unexpected dip in form, Cameron Milner reviews

Music Critic Sammy Andrews takes a look at the romantic new single from James Bay, saying it is packed full of energy and passion

Travel Editor Catrin Jackson lays out the details of the Virgin Money Unity Arena and what this could mean for the future of concerts in a post-pandemic world

Fontaines D.C.'s sophomore album A Hero’s Death should ultimately be viewed as a successful, if slightly patchy, portrait of a band refusing to stay rooted to a singular musical landscape, Music Critic Cameron Milner reviews

Music Critic Sammy Andrews argues that Taylor Swift's unexpected new album shows an artist unafraid to experiment and look inward to create some of her best work