Music Critic Ellie Harris argues that transgender musicians do not receive the recognition they deserve and names her favourites who should receive far more

Declan McKenna's new album Zeros is a confident and mature elevation from his debut, speaking boldly to an entire cultural moment, Music Critic Sammy Andrews reviews

Protean Threat by Osees continues John Dwyer's trend of not sounding like other psych bands and Music Critic Seb Rolley thinks it might be one of the genre's best

Music Critic Benjamin Forsdick reviews IDLES' live stream concert, weighing up the pros and cons that ultimately make it a good next-best-thing, but ultimately no substitute for a live gig

Music Critic Ben Forsdick argues that Bright Eyes' newest album fails to live up to their previous works as the band dilute their unique sound and move away from what they do best

Describing her as one of the modern greats of UK Electronica, Deputy Digital Editor Dylan Lucas reviews the fantastic sophomore album from Kelly Lee Owens

Music Writer Sarah Mawson dives into the unique project that is Young Jesus' latest record, finding it to be just the right side of pretentious

Wistful and dreamy, folklore bonus track ‘the lakes’ is a poetic affirmation of love, Music Critic Sammy Andrews reviews

Giant Rooks' first album, driven by its euphoric choruses and the bands unique sound, is a huge success and shows the best work of a refreshing young band who know what they do best but are unafraid to experiment Music Editor Robbie Hawken writes

A heavy, brooding, and terrifying album, Primitive Man have managed to progress their sound while remaining as brutal as any metal band in the business on their new album, Music Critic Benjamin Forsdick reviews

YUNGBLUD'S latest release Lemonade, a collaboration with Denzel Curry, sees the artist delve into hip-hop with mixed success, argues Music Critic Ellie Harris

Glass Animals' latest album Dreamland is a welcome insight into lead singer, Dave Bayley's whimsical world, Music Critic Minnie Life reviews