AJ Tracey's low energy live performance doesn't do justice to his stellar discography, Music writer Daisy Kirkaldy reviews

Redbrick Comment Editor Amelia Hiller takes us through and breaks down five musical landmarks of her life

Mr. Scruff is set to play Birmingham's Hare & Hounds this May and David Evans tells us why it's a must-see

'Love in the Time of Lexapro' expands the sonic palette of Oneohtrix Point Never to sounds more tranquil and human, James Rodker reviews

Summer is on its way and so are some stellar festivals. Here is a month-by-month guide to Redbrick's top festival picks of the year

With a solo UK tour on the horizon, Frankie Rhodes sat down with KAWALA at their recent stint of supporting shows for dodie

With a handful of excellent singles under her belt, Maisie Peters takes her music on the road, Emily Calder previews

dodie's recent Birmingham show was a delightful showcase of indie pop energy, Frankie Rhodes reports

In a time of iniquity, the music of Hayley Kiyoko is profound in its shattering of stereotypes surrounding sexuality, Jade Matlock details

Muse fail to sound like more than an imitation of themselves on their latest, sci-fi inspired record 'Simulation Theory', Gemma Elgar reports

Princess Nokia's rerelease of her 2014 debut album is vital to understanding the artist as she stands today, Music Editor Letty Gardner writes

Writer Frankie Stott reviews 'When I Get Home', an intimate, hypnotic and jazzy meandering into Solange's experiences and feelings