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    ‘Disgustingly Educated’: A Trend Promising Growth or Just Another Marketing Ploy?

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  • Single Review: Lorde – Stoned at The Nail Salon

    Comment Editor Emily Baldwin reviews Lorde's new single, 'Stoned At The Nail Salon', describing it as an ode that feels particularly pertinent to those of us coming of age in such a time of isolation

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    Music Critic Dean Turner reviews the latest single from Black Midi, finding it an atmospheric journey through experimentation and nuance

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    Music Critic Sarah Mawson reviews Nao's 'Messy Love', finding it an impactful and uplifting single which gives hope for a gorgeous album

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    The Loose Fits' debut single is an accomplished and intimate track dealing with lost love, writes Music Critic David Cohen

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    Digital Editor Tamzin Meyer reviews Bebe Rexha's latest single, finding it a positive and joyful force for good in turbulent times

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    Music critic Isabelle Porter explains how Clairo's latest single 'Blouse' indicates that her sophomore album could be best album to date.

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    Music Critic Sarah Mawson reviews the new single from Meet Me @ The Altar feeling reassured that the Pop Punk movement is in capable hands

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    Music Editor Bethany-Jo O'Neill reviews the new single from Joy Crookes with high expectations for the release of a debut album

  • Single Review: The Black Keys – Going Down South

    Music Critic Molly Rushton reviews The Black Keys' new release, 'Going Down South,' explaining that it sets a strong precedent for the rest of the album

  • Single Review: John Mayer – Last Train Home

    Music Editor Robbie Hawken reviews John Mayer's latest single which invokes the 1980s and shows some promise ahead of his new album

  • Single Review: Wolf Alice – Smile

    Music Critic Sammy Andrews reviews this high energy Wolf Alice single which shows much promise ahead of their new album

  • Single Review: Olivia Rodrigo – good 4 u

    The latest single from Olivia Rodrigo is the perfect homage to 2000s pop-rock, building excitement for debut album SOUR, Music Critic Jemma Cuthbert reviews

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