Culture Editor Leah Renz reviews the Courtauld's two-room exhibition on Vincent Van Gogh's self-portraits

Culture Writer Charis Gambon praises the Alexandra's Catch Me If You Can, finding it a hilarious thriller which will keep you guessing until the very end!

Culture Writer Halima Ahad reviews UoB writer Jess Yung's first poetry collection Chingllish, calling it an exploration of the bilingual experience

Culture Writer Frankie Rhodes reviews the opera Don Giovanni, deeming it perfect for those struggling to find opera approachable

Culture Writer Charis Gambon reviews Private Peaceful at the Birmingham REP, praising the incredible acting from all cast members, and finding the production overall a poignant memorial to the casualties of the First World War

Culture Editor Sofia Salazar Studer attends the Footloose press night at the Alexandra, praising the actors' vocals and recommending the show to all

Culture Writer Daisy Griffin praises Vanley Burke's 'highly intimate' photographs in IKON's A Gift to Birmingham exhibition as the perfect medium for capturing the beauty and pain of the migrant experience

Culture Writer Joi Foote reviews Belgrade Theatre's Animal Farm, praising the extraordinary artistry of the puppets and hailing it as a 5/5 star show!

Culture Writer Joi Foote reviews legendary news reporter Bruce Johnson's book, Surviving Deep Waters

Culture Writer Fisola Kelly reviews The Money Edit by Makala Green and praises it as an encouraging guide to managing personal finances, no matter your stage in your financial journey.

Culture Writers Jess Rushton and Charis Gambon review the musical Joseph and the Amazing Technicolor Dreamcoat, both praising the actors and the set design

Culture Editor Leah Renz reviews the ambitious dance-theatre show TRAPLORD, a fusion of trap, dance and spoken word which explores the reality of being a black man in South London