Deputy Editor Jasmine Sandhar reviews Madam Butterfly, mentioning her disappointment in the choice of a colour-blind casting but praising the overall production

Social Secretary Ella Kipling attends her first-ever opera and finds her expectations overturned, praising the modernisation of Madam Butterfly through costumes and set design

Culture Writer Francesca Herring attends YouTuber Max Fosh's debut night on his first-ever nationwide tour and praises its running jokes and the seamless integration of YouTube clips

Culture Writer Abi Kinsella praises the author Natasha Pulley for her masterful use of magical realism and believable characters, but most of all for her treatment of love, both quiet and loud

Culture Writer Alfie Moore praises the latest exhibit of the Tate Modern's Turbine Hall and analyses how Ancika Yi finds 'poetic expression' in the intermingling of science and art

Culture Writer Halima Ahad writes about the New York Bestselling Author Hafsah Faizal and her popular young adult duology We Hunt the Flame

Culture Writer Victoria Wilson and Sci & Tech Editor Daniella Southin review the musical Dirty Dancing, weighing the good and the bad of the performance

Culture Writer Eva Lovejoy reviews the musical The Ruff Tuff Cream Puff Estate Agency, praising its ability to stay light-hearted despite the politically charged plot

Comment Editor Ffion Hâf reviews Rosie Kay's Romeo and Juliet, a modern danced re-imagining of the classic Shakespeare tale

Food & Drink Editor Chloë Hyde and Culture Editor Sofia Salazar Studer come together in a collaboration between their sections to review 'The Last Sip' Cocktail and the Romeo and Juliet performance by the Birmingham Royal Ballet

Culture Writer Isabelle Porter review the BookTok sensation We Were Liars, praising its writing style and allegorical storytelling

Culture Writer Frankie Rhodes reviews the comedy act The Scottish Falsetto Sock Puppet Theatre as part of Birmingham's Comedy Festival, hailing it as a brilliant mix between 'edgy musical comedy, pantomime, improvisation' and 'pure farce'