Digital Editor Tamzin Meyer and Print Editor Kitty Grant praise the musical Priscilla, Queen of the Desert, deeming it a breath of fresh air after nearly two years without theatre

Culture Writer Francesca Herring reviews the non-fiction book Jane Austen, Early and Late which discusses how Austen's teenage writings influenced her later novels

Culture Writer James Simpson argues that 'difficult' poetry is better, comparing Rupi Kaur to great English poets such as William Carlos Williams, T.S. Eliot, and Christina Rossetti

Culture Writer Frankie Rhodes relates her experience at Bangladesh @ 50, a variety showcase in celebration of the country's rich cultural heritage and to mark the 50th year of its independence

Culture Writer Charley Davies reviews Blood Brothers at Theatre Royal Plymouth, praising the acting and its portrayal of class differences

Food & Drink Editor Chloë Hyde writes about dogs, peanut butter, and paintings, and how the animal rescue SARA combined all three to raise money for their charity

Culture Writers and Editors come together to share their favourite books by South Asian authors for SAHM

Culture Writer Phoebe Cross praises the fantasy novel The Priory of the Orange Tree for its incredible worldbuilding and creative use of religion.

Culture Writer Francesca Herring reviews the novel Norwegian Wood by Haruki Murakami, praising its sensitive portrayal of mourning and university life but feeling disappointed by its somewhat misogynistic portrayal of women

Culture Writer Francesca Herring reports on the auction of the belongings of Sylvia Plath and examines her life and work, arguing that her attempts to destigmatise mental health have never been more important.

As Hong Kong's Book Fair draws to an end, Life&Style Editor Julia Lee reflects on Hong Kong's decades-long struggle for democracy, and the importance of the press and publishing houses in calling power to account

Culture Editor Leah Renz reviews Paula Rego's Exhibition at the Tate Britain, praising the paintings for their ability to induce disturbing backstories in the minds of their viewers.