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  • Musical Review: Joseph and the Amazing Technicolor Dreamcoat

    TV editor Jasmine Davies reviews Joseph and the Amazing Technicolor Dreamcoat at the Hippodrome, finding it to be an exciting production full of high energy and great musical numbers

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    Editor-in-Chief Vidhi Bhanushali reviews the Rep's production of Little Women, praising the cast's powerful performance and vivid portrayal of the original story's message

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    Culture Editor Joel Bishton reviews the RSC's production of Titus Andronicus: a blood-soaked spectacle filled with strong performances and striking visuals

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    Culture writer Cassandra Fong reviews A Kiss for the Absolute, exploring how Shūzō Takiguchi’s surreal, mythology-infused poetry defies convention in an intimate and disorienting collection

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    Deputy Editor Hannah Gadd reviews the RSC's production of Much Ado About Nothing, finding it to be an immersive and brilliantly-executed modernisation of Shakespeare's beloved comedy

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    Culture Writer Harshi Modi reviews The Merchant of Venice 1936, enjoying strong cast performances but finding the adaptation to lack nuance

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    Culture writer James Wardle reviews Albert Camus' absurdist classic The Happy Death, praising the disordered and eclectic narrative and refreshing changes in narrative style

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    Editor-in-Chief Ash Sutton reviews Wolverhampton Grand Theatre's production of Dear Evan Hansen, finding it to be a powerful rendition of the award-winning Broadway and West End musical

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    TV Editor Jasmine Davies reviews Charlie and the Chocolate Factory, evaluating that while it was a fun-filled musical, it lacked the magic of the original story

  • Theatre Review: RSC First Encounters: The Tempest

    Culture Writer Kaashvi Talwar reviews the RSC's First Encounters: The Tempest, praising the lighting, music and casting choices used to conjure Shakespeare's magical comedy for a younger audience

  • Theatre Review: Nora: A Doll’s House

    Culture Editor Ruby Kwartz reviews a contemporary adaptation of a Victorian classic, praising it's enlightening reflection on how women's rights have (or haven't) evolved over the past 100 years

  • Theatre Review: Everybody Wants to be Ronaldo

    Digital Editor Vidhi Bhanushali reviews Everybody Wants to be Ronaldo, praising its powerful message and creative plot

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