Culture writer Cassandra Fong reviews After the Rites and Sandwiches, exploring the poetry collection's honest and nuanced depictions of the journey through grief

Culture Writer Cassandra Fong talks with Andrew Hui about his 2024 title The Study: The Inner Life of Renaissance Libraries, covering the profound role that intellectual spaces play in shaping the self

TV editor Jasmine Davies reviews Joseph and the Amazing Technicolor Dreamcoat at the Hippodrome, finding it to be an exciting production full of high energy and great musical numbers

Editor-in-Chief Vidhi Bhanushali reviews the Rep's production of Little Women, praising the cast's powerful performance and vivid portrayal of the original story's message

Culture Editor Joel Bishton reviews the RSC's production of Titus Andronicus: a blood-soaked spectacle filled with strong performances and striking visuals

Culture writer Cassandra Fong reviews A Kiss for the Absolute, exploring how Shūzō Takiguchi’s surreal, mythology-infused poetry defies convention in an intimate and disorienting collection

Deputy Editor Hannah Gadd reviews the RSC's production of Much Ado About Nothing, finding it to be an immersive and brilliantly-executed modernisation of Shakespeare's beloved comedy

Culture Writer Harshi Modi reviews The Merchant of Venice 1936, enjoying strong cast performances but finding the adaptation to lack nuance

Culture writer James Wardle reviews Albert Camus' absurdist classic The Happy Death, praising the disordered and eclectic narrative and refreshing changes in narrative style

Editor-in-Chief Ash Sutton reviews Wolverhampton Grand Theatre's production of Dear Evan Hansen, finding it to be a powerful rendition of the award-winning Broadway and West End musical

TV Editor Jasmine Davies reviews Charlie and the Chocolate Factory, evaluating that while it was a fun-filled musical, it lacked the magic of the original story

Culture Writer Kaashvi Talwar reviews the RSC's First Encounters: The Tempest, praising the lighting, music and casting choices used to conjure Shakespeare's magical comedy for a younger audience