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  • Baby Reindeer

    Review: Baby Reindeer

    Print & Features Editor Jess Parker reviews the brand new Netflix show Baby Reindeer, based on the real life experiences of Richard Gadd, dealing with stalking and abuse, that has sparked ongoing controversy about the events it explores

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    Culture Editor Ash Sutton praises the first part of Bridgerton's new season despite some weaknesses, finding it enjoyable but rushed

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    Digital Editor Halima Ahad spotlights The Summer I Turned Pretty protagonist Belly, resonating with the character as she navigates the struggles of adolescence

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    Print&Features Editor Jess Parker gives a quick rundown of this year's Eurovision including the Swiss winner Nemo

  • Editors’ Picks: What to Watch and Play June 2024

    Redbrick Newspaper’s TV, Film, Gaming, and Music Editors come together for their top picks to watch and play this June

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    Film Editor James Richards honours recently deceased B movie legend Roger Corman and celebrates his impact on the film industry at large

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    The Matrix and AI Technology

    Film Critic Jimmy Simpson re-enters The Matrix on its twenty-fifth anniversary, finding the Wachowski sisters' concerns about AI to be more timely than ever

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    Sci&Tech Editor Sophie Webb reviews the latest series of the brilliantly twisted and shocking Inside No.9

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    Print&Features Editor Jess Parker finds the Doctor Who opening episode quirky, silly and fun yet lacking in the impact or memorability of some of the show's past episodes

  • ‘Cocaine Werewolf’ Looks to Follow ‘Cocaine Bear’ by Example at Cannes Market

    Print & Features Editor Jess Parker discusses upcoming project 'Cocaine Werewolf' in relation to the Cannes Market

  • Hidden Gem: W1A

    TV Writer Joel Bishton believes W1A, a mockumentary style show which encompasses British humour at its finest, to be a hidden gem

  • This Town

    Review: This Town

    TV writer Toby Jarvis reviews Steven Knight's new Midlands-based BBC show: This Town, with great production and a stellar cast let down by a few too many sub-plots.

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