Life&Style Editor Serena Murphy celebrates the small screen continuation of Boiling Point, finding that it upholds the essence of the film and is skilfully realistic in its presentation of social issues

Film Editor James Richards praises David Fincher's The Killer - a compulsively stylish thriller from a filmmaker at the top of his game

Film Critic Corey Douglas reviews Five Nights at Freddy's, finding it to be a poorly written and puzzlingly lacking in animatronic horror

Film Editor Alice Weltermann commends this tipsy and sun-bleached debut of How to Have Sex for its honesty and skill

Film Critic Luke Pierce Powell ponders on the point of summer flick No Hard Feelings, finding its writing to be a fatal flaw

Film Critic Ash Sutton finds the latest Marvel flick to be a surprisingly fun watch despite some inconsistencies

Print & Features Editor Jess Parker finds The Nun II to be a superfluous yet super-enjoyable addition to the popular Conjuring franchise

Film Critic Simone Salvatore marks the latest Scorsese film as one of his best thanks to stellar acting performances, despite its controversial run time

Film Editor James Richards praises the uneven ambition of Kenneth Branagh's genre-bending Poirot mystery A Haunting in Venice

Film Writer Simone Salvatore reviews the 40th anniversary remaster of Stop Making Sense, finding it to be a joyous celebration of Talking Head's music.

Film Writer Christopher Watts reviews The Creator, finding it a thought-provoking and visually stunning experience.

Film critic Joel Bishton writes on Wes Anderson's new short story collection for Netflix, finding it unspectacular but enjoyable as an 'insubstantial treat'