Although somewhat repetitive, COIN have released potentially one of their most vulnerable songs with 'You Are the Traffic,' Music Critic Samantha Andrews writes

Music Critic Aimée Sargeant reviews the debut EP from Rosie Shaw, Sometime Soon, describing it as a captivating listen that is more than just a debut

Music Critic Sarah Mawson praises the quality of NPR's Tiny Desk Concerts and gives a run-down of their top 5 performances

Life & Style Editor Frankie Rhodes reviews the exciting new album from LANY, mama's boy, describing it as the perfect album for our current times to remind us to cherish what is important

Music Critic Ben Forsdick reviews Napalm Death's enjoyable new album arguing that the fathers of grindcore have not lost their touch, releasing a record which is sure to please fans

In advance of its 25th anniversary, Music Critic Ben Forsdick writes his praise of Liquid Swords, a standout '90s release from GZA

Following the backlash from the 2020 line-up, Music Critic Minnie Life shares her disappointment at the latest Reading and Leeds Festival announcement, arguing that marginalised voices need to be heard from the headline slots

Everything Everything's latest release is a combination of good ideas and intentions with mixed results which may fail to please many of their existing fans Music Critic Ben Forsdick argues

We ask the Redbrick Music critics for the best and worst covers of all time and receive some stunning entries and some which are truly painful to the ear

Following the success of 2015's The Pale Emperor, Music Critic Cameron Milner takes a look at Marilyn Manson's new gloom-filled record, straddling a line between tradition and innovation

Music Critic Holly Pittaway attends and reports on a Zoom-based Press Conference for Still Woozy's new single BS, another classically Woozy single

Halsey's live recording of debut album BADLANDS makes for a nice trip down memory lane, but perhaps does not stand apart as a piece in its own right, Music Critic Samantha Andrews writes