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Protean Threat by Osees continues John Dwyer's trend of not sounding like other psych bands and Music Critic Seb Rolley thinks it might be one of the genre's best
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Music Critic Benjamin Forsdick reviews IDLES' live stream concert, weighing up the pros and cons that ultimately make it a good next-best-thing, but ultimately no substitute for a live gig
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Music Critic Ben Forsdick argues that Bright Eyes' newest album fails to live up to their previous works as the band dilute their unique sound and move away from what they do best
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Describing her as one of the modern greats of UK Electronica, Deputy Digital Editor Dylan Lucas reviews the fantastic sophomore album from Kelly Lee Owens
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Music Writer Sarah Mawson dives into the unique project that is Young Jesus' latest record, finding it to be just the right side of pretentious
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Wistful and dreamy, folklore bonus track ‘the lakes’ is a poetic affirmation of love, Music Critic Sammy Andrews reviews
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Giant Rooks' first album, driven by its euphoric choruses and the bands unique sound, is a huge success and shows the best work of a refreshing young band who know what they do best but are unafraid to experiment Music Editor Robbie Hawken writes
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A heavy, brooding, and terrifying album, Primitive Man have managed to progress their sound while remaining as brutal as any metal band in the business on their new album, Music Critic Benjamin Forsdick reviews
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YUNGBLUD'S latest release Lemonade, a collaboration with Denzel Curry, sees the artist delve into hip-hop with mixed success, argues Music Critic Ellie Harris
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Glass Animals' latest album Dreamland is a welcome insight into lead singer, Dave Bayley's whimsical world, Music Critic Minnie Life reviews
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Troye Sivan's In A Dream marks a significant step into the world of alt-pop for the young star as Music Critic, Minnie Life takes a look at the EP and finds it an intimate companion for the pandemic
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Limbo is the project that proves Aminé as an artist and will keep him around for years to come, Music Critic Sarah Mawson reviews