The Wombats impress with awe-inspiring visuals and a setlist packed with indie hits, Redbrick Music writer Gemma Elgar reviews

Redbrick's Emily Breeds breaks down Billie Eilish's first single from her upcoming debut album

Much like his latest record, Ben Howard's live show is a challenging and indulgent journey into himself that can easily lose the audience along the way, Gabrielle Taylor-Dowson reviews

The latest material from Hozier blends seamlessly with his renowned indie hits within a live setting, creating a remarkable on-stage experience, Matthew Johnson reviews

Music Editor Letty Gardner discusses Nils Frahm's upcoming Birmingham show, and why it is not one to miss

Redbrick's Gemma Elgar keenly anticipates The Wombats upcoming UK tour

Deputy Editor Kat Smith breaks down the latest single from Lana Del Rey's upcoming album 'Norman Fucking Rockwell'

The return of Robyn sees the dance pop virtuoso revitalised on all fronts and enthused by the abandonment of heartbreak, Marianne Holt reviews

Redbrick's Greg Woodin ranks the albums of Drake, the untouchable front-runner of both hip hop and pop

Slaves seized Birmingham's O2 Academy with a heady concoction of heavy riffs and pummelling percussion, Music Writer Christian Nasillo reviews

Deputy Editor Kat Smith covers the Birmingham leg of Mabel's tour, supported by Australian teen up-and-comer, Ruel

Music Critic Catrin Jackson reviews Tame Impala's single 'Posthumous Forgiveness', a rare treat for fans to see behind the persona the artist has created