Phoebe Bridgers' sophomore album Punisher is a haunted exploration of her past with moments of power, tenderness and humour writes Hannah Massey

In possibly their best work to date, Run The Jewels' fourth LP is a powerful reflection on turbulent times, full of heavyweight features and deep cuts writes Cameron Milner

Fiona Apple brings a raw, layered album in Fetch the Bolt Cutters, a record made more for herself than ther listeners, Music Critic Sarah Mawson writes

Music Critic Robbie Hawken states that whilst Making a Door Less Open is not a perfect album, it must be listened to, and works as a how-to guide on experimenting with a band's sound without losing their original identity

how i'm feeling now is an unexpected follow up to Charli XCX's previous album, but is a welcome one nonetheless, encapsulating a feeling that everyone's going through during lockdown

As the only Pink Floyd album to receive a 10/10 score from Pitchfork, Music Critic James West considers the ways in which it deserves its perfect rating

On the ten year anniversary of its initial release, Music Critic Seb Rolley reviews what was originally going to be LCD Soundsystem's final album

What Kinda Music may be sonically incohesive, it's this that draws a listener in, and is an album of significant technical growth for Tom Misch, Music Critic Annie Gashi writes

The 1975 have created an album of genre experimentation, and although it has highs and lows, it's well worth listening to the entire thing, Music Critic Anya Logue reviews

SAWAYAMA is a clever, personal album that comes full circle, Music Critic David Evans writes

The Bonny is a near knockout album with a small stumble in quality in its last few tracks, Film Editor Matt Taylor writes

Music Critic Ffion Haf reviews The Kooks' latest EP of nostalgic old tracks with excitement for its potential sequel