Declan McKenna's new album Zeros is a confident and mature elevation from his debut, speaking boldly to an entire cultural moment, Music Critic Sammy Andrews reviews

Protean Threat by Osees continues John Dwyer's trend of not sounding like other psych bands and Music Critic Seb Rolley thinks it might be one of the genre's best

Music Critic Ben Forsdick argues that Bright Eyes' newest album fails to live up to their previous works as the band dilute their unique sound and move away from what they do best

Describing her as one of the modern greats of UK Electronica, Deputy Digital Editor Dylan Lucas reviews the fantastic sophomore album from Kelly Lee Owens

Music Writer Sarah Mawson dives into the unique project that is Young Jesus' latest record, finding it to be just the right side of pretentious

Giant Rooks' first album, driven by its euphoric choruses and the bands unique sound, is a huge success and shows the best work of a refreshing young band who know what they do best but are unafraid to experiment Music Editor Robbie Hawken writes

A heavy, brooding, and terrifying album, Primitive Man have managed to progress their sound while remaining as brutal as any metal band in the business on their new album, Music Critic Benjamin Forsdick reviews

Glass Animals' latest album Dreamland is a welcome insight into lead singer, Dave Bayley's whimsical world, Music Critic Minnie Life reviews

Troye Sivan's In A Dream marks a significant step into the world of alt-pop for the young star as Music Critic, Minnie Life takes a look at the EP and finds it an intimate companion for the pandemic

Limbo is the project that proves Aminé as an artist and will keep him around for years to come, Music Critic Sarah Mawson reviews

Music Critic Benjamin Forsdick reviews The Microphones' newest release, a 44 minute composition, which despite appealing largely to existing fans is a fantastic piece of creative work

For a debut, Midnight Fuckboys have stormed out the gate and swung for the fences with goon-fuelled voltage that marks them as talent to watch, Film Editor Rhys Lloyd-Jones writes