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    Is The World… Healing? Zohran Mamdani wins NYC Mayoral Election and Jonathan Bailey is the Sexiest Man Alive

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  • Feminine power, baroque drama, and witchcraft: The spellbinding divinity of The Last Dinner Party

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  • Redbrick Meets: Red Rum Club

    Music Editor Gemma Elgar chats with Fran Doran of Red Rum Club prior to their Birmingham gig at the end of the month

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    Charli XCX's new album is entirely worth the wait, and a fantastic collaboration of its many featured artists, Science & Tech Editor Francesca Benson writes.

  • Single Review: Rex Orange County – 10/10

    Redbrick's Food editor Gabrielle Taylor-Dowson is impressed by the use of synthesised vocals and motivational lyrics in Rex Orange County's '10/10'

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    Barney Murphy-King looks forward to a night of both new-wave and disco, respectively brought by Eclair Fifi and Jayda G at the Hare and Hounds

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    Despite a couple of misses, Caravan Palace's new album Chronologic mainly offers a series of pleasing bass drops and hard-hitting bops, writes Ellie Jeffery

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    Amelia Hiller is impressed by the quality of music and student friendly prices at Community Festival 2019

  • Single Review: Billie Eilish ft. Justin Bieber – bad guy

    Music Editor Daisy Kirkaldy is disappointed by Justin Bieber's seemingly unnecessary contribution to the new 'bad guy' remix

  • Live Review: black midi

    black midi are an up and coming band that more than live up to their evergrowing hype, Seb Rolley writes

  • Album Review: DMA’s – MTV Unplugged (live)

    Music Editor Gemma Elgar is impressed by the DMA's ability to effortlessly recreate their most iconic tracks for MTV's Unplugged series

  • Preview: Planet Earth II Live In Concert

    Life & Style editor Frankie Rhodes eagerly awaits next year's tour of Planet Earth II: Live in Concert

  • Single Review: Tame Impala – Borderline

    Catrin Jackson reviews Tame Impala's single 'Borderline', noticing parallels to his older music.

  • Single Review: The Japanese House – Follow My Girl

    Redbrick's Nina Avitabile discusses The Japanese House's subtle evolution showcased on her recent single

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