Culture Writer Charis Gambon reviews The Copla Musical as part of the SHOUT 2021 Festival and praises its mission of reviving the musical genre of Copla and the history of queer protest during Franco's fascist regime

Culture Writer Frankie Rhodes reviews The Magician's Elephant, writing that despite some individuals shining through, the audience was still left wanting more

Digital Editor Tamzin Meyer reviews Blood Brothers and is moved by its portrayal of a working-class reality which is unfortunately still as relevant today as it was 40 years ago

Marketing Secretary Jennifer Prince reviews Grease at the Alexandra, praising it as "thoroughly enjoyable from start to finish"

Editor-in-Chief Chelsie Henshaw and Deputy Editor Molly Schoenfeld review 80s Mania and thoroughly enjoy the raucous enthusiasm of the performers and audience

Editor-in-Chief Chelsie Henshaw and Deputy Editor Molly Schoenfeld interview the producers who created 80s Mania in a preview of the show

Social Secretary Ella Kipling and Culture Writer Joi Foote praise Chicago, celebrating it as one of the best shows they have ever seen

Digital Editor Tamzin Meyer praises What's New Pussycat as one of the best musicals she has ever seen

Culture Writer Victoria Wilson and Sci & Tech Editor Daniella Southin review the musical Dirty Dancing, weighing the good and the bad of the performance

Culture Writer Eva Lovejoy reviews the musical The Ruff Tuff Cream Puff Estate Agency, praising its ability to stay light-hearted despite the politically charged plot

Life&Style Editor Emma Davis writes about the musical Hairspray, touching upon its incredible soundtrack and its 'deeply poignant and impactful' themes

Comment Editor Colette Fountain and Print Editor Kitty Grant come together to review The Rocky Horror Picture Show, applauding its magnificent use of audience participation which left them wanting to come again - this time in full costume