Film Critic Ash Sutton finds the latest Marvel flick to be a surprisingly fun watch despite some inconsistencies

Film Editor Tom Green examines the discourse surrounding Killers of the Flower Moon - the latest film from Martin Scorsese - and discusses what separates 'content' from 'cinema'

Gaming Editor Louis Wright makes the case for a Buddhist reading of Pixar's classic 2009 film.

Print & Features Editor Jess Parker finds The Nun II to be a superfluous yet super-enjoyable addition to the popular Conjuring franchise

TV Writer Joel Bishton reviews Partygate, criticising its representation of the real-life event and believing the piece to be a weak portrayal which blurs the lines between documentary and drama in a confusing way

Film Editor Alice Weltermann looks back on Gilmore Girls from its cosy and idealised American small-town atmosphere, to the underlying paradoxes of its postfeminist perspective

Sport Editor Lucy Parry reviews the new season of Strictly Come Dancing at its halfway point, finding that the show has maintained its high entertainment quality and commenting on who the front runners of the competition may be

Film Critic Simone Salvatore marks the latest Scorsese film as one of his best thanks to stellar acting performances, despite its controversial run time

Film Critic Joel Bishton revisits Edgar Wright's The World's End, praising the film's tightly plotted blend of comedy, drama and science fiction

Redbrick's Film, Music, TV, and Gaming Editors come together with their picks for what to watch and play this October

Film Editor James Richards praises the uneven ambition of Kenneth Branagh's genre-bending Poirot mystery A Haunting in Venice

Film Writer Simone Salvatore reviews the 40th anniversary remaster of Stop Making Sense, finding it to be a joyous celebration of Talking Head's music.