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Life & Style Editor Frankie Rhodes reviews the exciting new album from LANY, mama's boy, describing it as the perfect album for our current times to remind us to cherish what is important
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Music Critic Ben Forsdick reviews Napalm Death's enjoyable new album arguing that the fathers of grindcore have not lost their touch, releasing a record which is sure to please fans
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Everything Everything's latest release is a combination of good ideas and intentions with mixed results which may fail to please many of their existing fans Music Critic Ben Forsdick argues
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Following the success of 2015's The Pale Emperor, Music Critic Cameron Milner takes a look at Marilyn Manson's new gloom-filled record, straddling a line between tradition and innovation
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Halsey's live recording of debut album BADLANDS makes for a nice trip down memory lane, but perhaps does not stand apart as a piece in its own right, Music Critic Samantha Andrews writes
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Declan McKenna's new album Zeros is a confident and mature elevation from his debut, speaking boldly to an entire cultural moment, Music Critic Sammy Andrews reviews
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Protean Threat by Osees continues John Dwyer's trend of not sounding like other psych bands and Music Critic Seb Rolley thinks it might be one of the genre's best
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Music Critic Ben Forsdick argues that Bright Eyes' newest album fails to live up to their previous works as the band dilute their unique sound and move away from what they do best
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Describing her as one of the modern greats of UK Electronica, Deputy Digital Editor Dylan Lucas reviews the fantastic sophomore album from Kelly Lee Owens
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Music Writer Sarah Mawson dives into the unique project that is Young Jesus' latest record, finding it to be just the right side of pretentious
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Giant Rooks' first album, driven by its euphoric choruses and the bands unique sound, is a huge success and shows the best work of a refreshing young band who know what they do best but are unafraid to experiment Music Editor Robbie Hawken writes
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A heavy, brooding, and terrifying album, Primitive Man have managed to progress their sound while remaining as brutal as any metal band in the business on their new album, Music Critic Benjamin Forsdick reviews