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  • Review: Weathering With You

    Film Editor Todd Waugh Ambridge's opinion of Makoto Shinkai's latest film is not clouded by the success of its predecessor Your Name, as he hails Weathering With You's shining vision

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    TV Critic Ella Foster argues that Shrill is the much-needed antidote for the body-shaming and fatphobia shown on our screens

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    Redbrick Film Critics have nothing but praise for Greta Gerwig's latest film Little Women, the seventh adaptation of Louisa May Alcott's iconic novel

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    TV Critic Charlie Murray suggests that the scripted nature of Miranda's return was not such fun after all but perfect for those who adored the beloved show

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    The highly-anticipated Gavin and Stacey Christmas Special was tidy and it was well lush to revisit some of British TV's most beloved characters, reviews Ella Chadwick

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    As JJ Abrams and Disney bring their Star Wars sequel trilogy to a close, Redbrick Film Critics check out The Rise of Skywalker - the conclusion to the Skywalker Saga

  • Review: Jumanji: The Next Level

    As The Next Level swings into cinemas, Film Critic Antonio Aguila checks out the latest instalment in the unexpected Jumanji trilogy

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    Film Critic Sam Denyer is thoroughly impressed by Noah Baumbach's latest, celebrating the honest and thoughtful depiction of a couple in divorce

  • Review: The Wilds

    TV writer Bethany Sherrott is rather hooked on this desert-island TV drama which puts a new spin on an old trope by exploring female sexuality and friendship, and makes very entertaining viewing

  • Round-Up: Golden Globe Nominations 2020

    With the 77th Golden Globes right around the corner, Film Critic Sam Denyer dives into this year's controversial nominations

  • Review: The Good Liar

    Film Critic Harry Taylor is impressed by McKellen and Mirren at the top of their games, yet is puzzled by the knotty script, and is lost in the plot's twisting and turning labyrinth

  • Review: Knives Out

    Film Editor Samuel Zucca finds Rian Johnson's latest flick to be a cut above, and argues that the writer-director makes great use of pen and camera, in favour of the sword

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