Life&Style Editor Serena Murphy celebrates the small screen continuation of Boiling Point, finding that it upholds the essence of the film and is skilfully realistic in its presentation of social issues

TV Writer Paris Williams applauds Lenny Henry's impactful depiction of the Windrush generation, seeing her own cultural experiences and knowledge reflected in the show

Digital Editor Halima Ahad defends the reality show Made in Chelsea, arguing that its stars are authentic and fun to watch, despite popular criticism

TV Editor Kylie Clarke celebrates a heartwarming and emotional goodbye to the characters of Sex Education, in spite of some unrealistic plots and dialogue

TV Writer Joel Bishton reviews Partygate, criticising its representation of the real-life event and believing the piece to be a weak portrayal which blurs the lines between documentary and drama in a confusing way

Sport Editor Lucy Parry reviews the new season of Strictly Come Dancing at its halfway point, finding that the show has maintained its high entertainment quality and commenting on who the front runners of the competition may be

Print&Features Editor Jess Parker hails Season 16 as a return to form for its ensemble cast of 'uniquely awful characters'

TV Writer Rani Jadfa reviews the first episode, celebrating the excellent pacing and chemistry of the actors

TV Writer Ashleigh Sutton reviews the new season of Heartstopper, finding it enjoyable despite some cringe-worthy performances

Print & Features Editor Jess Parker discusses Black Mirror's sixth season of tech-society critiques, highlighting the most successful episodes amidst a middling overall offering

Film editor Alice Weltermann reviews the second season of FX's The Bear, applauding its star-studded cast while delving into the importance of the show's emotional intensity

Culture Editor Ilina Jha weighs in on Good Omens Season Two - besides some light criticism, they endorse Gaiman's colourful and creative cast of characters and the fantastical world they inhabit