Music Critic Riley Wells examines Liz Phairs classic album 30 years on, finding it to be an influential time capsule of the late 90s Chicago indie scene.

Music Editor Hannah Gadd reviews Baby Queen's latest release from her upcoming album, finding it to be perfectly cynical and infectious

Digital Editor Halima Ahad reviews FIFTY FIFTY's new single with Sabrina Carpenter, describing it as the song you need to sing along to in your room when thinking about love

Music Critic Dan Smith revisits The 1975's debut album following its tenth anniversary

Print & Features Editor Jess Parker reviews Blur's latest album, praising the band's growth and explaining why it is an instant classic

Hannah Gadd reviews The Aces in Birmingham, applauding their stage presence and infectious energy

Music Editor Oliver Scoggins reviews Hozier's third album Unreal Unearth, finding it a mostly successful exploration of new styles for the artist.

Sci&Tech Editor Leah Renz reviews Jessie Reyez's performance, praising her energy and her ability to be vulnerable on stage.

Music Critic Nina Avitabile reviews Primavera Sound Porto 2023, which delivered incredible music and an unforgettable experience to festival goers in the face of challenging weather

Music Editor Faith Parker picks her essential summer albums for you to delve into

Music Critic Caitlin Gaul reviews the CBSO's performance of Carmina Burana, which she sang in with University of Birmingham Voices

Music Editor Emma Gardner sat down with Paul Askew to discuss his favourite show, his first memories of music and his desire to collaborate with Clairo