Whilst it may have a few lulls in energy, DMA'S new live album, Live at Brixton, is a successful and welcome reminder of live music, Music Critic Sammy Andrews writes

Music Critic Aimee Sargeant reviews The Cinematic Orchestra Southbank Centre livestream, describing it as a show that showcased the group's striking artistic ability

Deputy Editor Daisy Kirkaldy was very pleased to be reminded of what it is like to be in a club environment by Pete Tong's 'O Come All Ye Ravers' livestream

Life&Style Editor Frankie Rhodes reviews the #WeMakeEvents live stream concert by Amy Macdonald, describing it as a highly enjoyable evening that really highlighted the importance of live music

Life&Style Editor Frankie Rhodes reviews James Bay's spectacular live stream from the Globe Theatre which demonstrated how an online gig should be done

Music Critic Benjamin Forsdick reviews IDLES' live stream concert, weighing up the pros and cons that ultimately make it a good next-best-thing, but ultimately no substitute for a live gig

Travel Editor Catrin Jackson lays out the details of the Virgin Money Unity Arena and what this could mean for the future of concerts in a post-pandemic world

Music Critic Sammy Andrews picks out the highlights of the BBC's Best of Glastonbury broadcasts which encapsulate the spirit of the festival and build our appetites for its return

Music Critic Bethany Carter reviews the Salford Music Festival and is delighted by how the festival adapts to its new online format

Redbrick's Katie Norris gets us excited for ValeFest Goes Virtual on June 6th by discussing the work of the society and talking to some of the artists about how they've been preparing

Music Editor Bethany-Jo O'Neill reviews David Keenan at The Sunflower Lounge, and urges others to keep an eye out for his future tours

Music Editor Daisy Kirkaldy reviews The 1975 at Arena Birmingham, claiming it to be a fantastic gig - if a little recycled